*tilts head, and looks at the questions* This is going to be difficult. Let’s see if I can figure out the first two questions enough to answer them.

(Also, I ended up making a list of OCs, and am currently quietly boggling at it. I keep forgetting how many people I made.)

For this set of questions.

10. Introduce an OC with a complicated design?

As in how they look? Alaric and Tofa of the Mountains – start from a raven, elongate the torso, add an extra set of limbs, possibly a collarbone, or at least an extended ribcage and fun with keel/breastbone. Lengthen the neck, lengthen the tail. Longer talons on the hind legs, make the forelimbs more like hands, with shorter, blunter talons, and give them teeth and a raptor (dinosaur, not bird-of-prey) face.

Then make them about eight feet tall at the shoulder, turn most of the feathers to scales (the wings retain feathers, along the back including up the back of the neck, and across the top of the head).

Intelligence, language, culture – and all the trappings that come with that. And that’s just one of three different species of dragons on the world, each with a variation in appearances that’s as diverse as the humanity with which they share their world (which is to say, as diverse as our own world).

11. Is there any OC of yours you could describe as a “sunshine”?

Not that I can think of off the top of my head. Most of my OCs have sharp edges that dim their cheerfulness or make it dangerous.

29. Which one of your OCs would go investigate an abandoned house at night without telling anyone they’re going?

Anne Morris. Although she probably wouldn’t go alone, she’d drag at least her partner with her, because Padrig is as much a curious adrenaline junkie as she is. And if either her cousin or half-brother are home, she’ll drag one or both of them, provided she could actually convince Audrey to come along without informing her of where they’re going. She is, after all, a bit more respectable than her hoyden cousin Anne.