Went looking at one of my older original ‘verses because one of @lectorel‘s posts niggled at me about it, and I’m re-reading my stories, and grumbling at myself over a few things, and making mental notes about research to do to take what I have and expand it. Ok, and actual notes, too, because who knows when I’ll have the spoons to go doing the research needed.
When I wrote these, nearly a decade ago, I deliberately left out names and places and other markers, and now I’m pretty damned sure it’s (a) all the US, thank you, (b) all but two of the characters are either not male, straight, white, cisgender, protestant, thin, able-bodied, neurotypical, monogamous, or wealthy, most are multiples of that, and © the two that are all or most of the above (they both may fail to be wealthy) are very distinctly the villains of their pieces.
Putting the rest beneath a cut because I don’t actually have the stories themselves posted publicly anywhere, and without them as reference, some of the bits might not make sense.
…. Erm, ok, and some of the snippets and bits I’m thinking are worth keeping, in some fashion or another, are also under the cut.
Also, anyone who wants to take the idea of a world where magic is present, and deeply distrusted in the US (just another minority to exploit, oppress, and murder, as far as the government is concerned), and run with it, or any of these characters, feel free. I’m honestly not sure I’m up to writing much in this particular ‘verse at the moment. It’s depressing, and I do not have the spoons to deal with it as is right now.
The pair who are straight – one is black or Native American or both, and the other is ADHD or autistic, and she’s very fond of playing a very particular sort of game (magic, it’s a cooperative game, the goal is to create something pretty and interesting and challenging for each other to add to). They’re the ones in the most bits, and in the end, theoretically, he dies. At least, as far as anyone from the outside would think. I’m not entirely sure he actually does so. (I’m also, while still proud of certain lines of his dialogue, am not certain I’m proud of them in context so much as out of it.)
The boy who suffers entirely more than he should, damnit, is transgender and utterly confused by people who care. He’s also physically disabled, and possibly has mental health issues beyond C-PTSD. He’s definitely nonverbal, and whether that is just because talking was dangerous or more than that, I don’t know.
The woman who dances in the storm surge and incoming hurricane is poor, and lives along the Atlantic coast, somewhere south of Delaware. Most likely, considering my own experiences, Maryland or North Carolina.
The person the priest makes the mistake of confronting is AFAB nonbinary whose depression tends to manifest as rage. Who has no one to turn to, is suicidal, and has absolutely no qualms about taking everyone around them with them.
I have no idea who the woman who is the figure in the dancing bit is, but I’m fairly certain her deities of choice are deities of life and death, creation and destruction. She’s also probably not thin, but I have so little to work from in her snippet. (Which is at the end of this post.)
The band is a trio who are poly, whose gender I can’t figure out, are pissed off, are probably white and probably aren’t the heroes they want to be, but they’re the ones the media focuses on, so they say fuck it, and do their damndest to turn conversations and interviews to those who are being exploited and murdered and stripped of their rights by a right-wing, conservative, reactionary government.
And the one with roses, I only know the villain of the piece, and I would dearly love to punt the “Inspector” into a deep dark pit full of pissed off non-venomous snakes. Because it’ll take longer for him to die than if they were venomous. (I’m not posting any bits from it.)
Interesting lines and snippets:
“Can’t control the mountains with iron and piss. Can’t trap the wind in a jar.”
“You can’t hear her screaming, and you think you have the power to hold her back. Think that concrete and steel will keep her out, that by burying your prison cells far from shore or fault line you’ll hide from her fury.”
“Mother’s cradle, hands rocking you to sleep. Can’t run now, the walls are shaking off their foundations. Don’t scream now, baby’s sleeping.”
“I don’t intend to go down quietly when they find me.” Take them with him, instead. Expend every trace of energy he could gather in a brilliant firestorm that would be hard to miss.
There’s a knock on the door, and he looks up, uncertain why the person hasn’t just come into the room. Surely it can’t be his, something like this never is. He curls against the pillow, his arms wrapping around his knees as he waits for the person to come in, for them to tell him he doesn’t belong here, to leave.
An admonishment that never comes, even when the person finally opens the door, looking in uncertainly before giving him an encouraging smile, and asking him if she can come in. He doesn’t know what to say, a shiver going through his body. No one ever asks him anything. No one cares enough.
Except they do care, they tell him. Let him stay in the room, let him eat as much as he wants, never hurt him, never tell him what he can do is wrong. He doesn’t come out very often, sits at the window and watches the rain, tracing the trickles of water that slide down the other side of the glass. He can’t quite bring himself to believe them, can’t quite believe this is real.
“You cannot take this from me,” she murmured, a smile curving her lips before she shouted it again. Laughing as she spun, feet splashing in the surging surf, arms stretched wide. Knowing she was dancing on the knife’s edge, all but daring the storm to take her off her feet, take her away from this world entirely, and not caring if it did.
“Cling to your cross and your book, holy man. Pray that your god will deliver you into the mercy of death, because I will have no such kindness for you.”
“Oh, call me a demon, call me an angel, call me a god. Call me mother, call me father, call me Death.”
“The world believes they’re wrong, believes we as a nation are wrong. A whole generation of Americans believes they’re wrong.”
“Change is a necessity, or a culture stagnates, and they’re desperate to prevent the change their children and grandchildren want. Everything they say and do makes them look like they’re trying to recreate the ‘good old days’, to create a time that never actually existed.”
"If they’re wrong, what would you say to the violence known to be committed by the so-called ‘magical community’?”
“Most of it can’t even be proven to have been them, rather than acts of nature, or the malice of those who want to maintain the status quo. That which can be confirmed is them defending themselves, which isn’t illegal unless you’re using magic. They aren’t afforded the right to live their own lives, to be human, in this country, only the right to be government property and cannon-fodder.”
Dance With Us
Hands raised with arms spread in welcome, she stands in the center of the circle, her lips moving in silent invocation. Hips sway slightly to the beat of intangible drums, hands beating out an old rhythm for her call. Warrior and mother, creator and destroyer, beauty and danger. Old memories rising on wind and dancing around her in a heartbeat promise of renewal.
Blood on stone, death and new life. Voice rising with the wind, drums louder beating against her skin. Ecstatic in the pain and the promise, pleasure warm as the blood painting her bare skin. The roar of wind, swirling around her filled with dust.
Dance, daughter. Dance with Us.