Hey if y’all liked my post about bribing my coworkers with points to get them to gender me properly, how about helping me get a more permanent way of getting them to do so?
Still Theron had been convinced and Lana was now inconvenienced. Yet any reason to visit a tropical isle with lush beaches instead of a filthy pub, or months on a old musty ship was a plus in Lana’s books.
“It is a shame they not only let slaves train as Sith but half breeds as well. Your apprentice is accomplished Gravus no doubt but how can she truly understand what it is be Sith when she was raised in bondage and her parentage unknown.”
Dinner is not going well for Lak in way, shape, or form.
Oohh, thanks. I’m feeling generous, so have two sentences:
It seemed like everyone who survived deployment to Hoth came away with a ghost story of some kind – odd cries in the night, bizarre electromagnetic interference, vague humanoid figures in the peripheries of one’s vision. Those stories most definitely did not play a role in Quinn’s maneuverings to stay off of Hoth; every sighting was easily explained in mundane, scientific terms.
Quinn is absolutely NOT sitting in the dark and freaking himself out. Nope.
Lord I feel like so many folks have been tagged already so feel free to ignore but…. @wrathetc , @cinlat , @salaciouscrumpet , and anyone else who feels like it.
I’ve actually like written things lately(It’s been so nice)so here we go!…I am also feeling generous because YAY I’VE MANAGED TO WRITE! So have some dialogue and the sentence after it!
”The spells aren’t too high level. I’ve been casting these spells since my first year! Why…why can’t I cast?”Her voice seemed to break during that last sentence, as she drew into herself, wrapping her arms tightly around herself.
Who am I writing about? Who knows!(It’s Illyasviel…..I was smacked on the head with one of the pillars of eternity prompts and it’s gonna be a wild ride my darlings.)
Well, friend, our new world building gave me an Idea, so now I’m writing a fic. Here, have that and two other sentences from my 3 currently-active WIPs
He can remember, after all, even if Fives’ wording was kind of strange.
Fives nods.
4322 knew from a young age that he was different, but it takes Ahsoka years to realize quite how different she is (and she still only knew half the truth).
Ani5 has taken over my life. The reincarnation AU, the Trans Fives AU, AND the fairy tale AU.
(Later that night, only Tally was awake when Kenobi crept aboard the Nest to be with Maul; instead of speaking, he just helped the Kenobi resituate the zabrak in one of the unused cargo areas of the courier and then slipped back out again when Kenobi laid down beside him.)
Epsilon quakes at being the focus of such an immense consciousness, but it examines their code with what a human would describe as a critical eye before extending a single line of code—and their projection flickers as they recognize a handshake protocol in its foreign, Forerunner elegance.
Abusers are really good at is making you feel like your anger is worse than their abuse.
This is so important. Many survivors have spent months or years not being allowed to express anger or being made to feel ashamed for experiencing anger.
So if you know a survivor, and you tell them that they “can’t” or “shouldn’t” be angry, that will almost certainly be triggering, and it’s really cruel.
Telling survivors that they need to “get past” their anger or to “be the bigger person” or “holding onto anger is like holding onto a hot coal” or “anger is like drinking poison and expecting someone else to die” or that “healing is only possible with forgiveness” or that “forgiveness will set you free,” or that “being angry means the abuser still has control,” or that experiencing anger makes the survivor as bad as the abuser, or whatever else– that’s culturally imposed abuse apologism and if you want to be an ally, you need to unlearn resorting to those platitudes when trying to comfort survivors.
It’s okay to experience anger. It’s literally the natural reaction to boundary violation, and when someone’s boundaries have been repeatedly violated and broken down for years, it’s important for a person’s health to be able to experience and express that anger. It honestly really is.
I still think Moana deserved an Oscar for this part
To me, the moral of Moana is that only women can help other women heal from male violence.
The movie starts with the idea that the male god who wronged Te Fiti must be the one to heal her. This seems to make a certain sort of intuitive sense in that I think we all believe that if you do something wrong you should try to make it right. But how does he try to right it? Through more violence. Of course that failed.
It was only when another woman, Moana, saw past the “demon of earth and fire” that the traumatized Te Fiti had become (what a good metaphor for trauma, right?) and met her with love instead of violence that she was able to heal. Note that they do the forehead press before Moana restores the heart, while Te Fiti is still Te Kā. Moana doesn’t wait for her beautiful island goddess to appear in all her green splendor before greeting and treating her as someone deserving of love.
Moana is only able to restore the heart because Te Kā reveals her vulnerability and allows Moana to touch her there. Maui and his male violence could only ever have resulted in more ruin.
This is a touching anaylisis but it’s extremely racist as
not only have you completely ignored the whole point of Maui’s character, but
have managed to incriminate a man of color on a tumblr wide scale.
First of all, Maui’s character does not represent male
violence—it represent human greed. Maui did not take the heart because he is a
man, and Te-Fiti is a woman. He took it because the humans asked him to. The humans asked Maui to do everything for them,
not caring how greedy or selfish their requests were and in the end it was Maui
who suffered for it. Maui is supposed to show the flaw of humanity.
This has nothing to do with sexism, it has everything to do
with the fact that Maui gave and gave to the humans who could never stop being
greedy. Moana giving the heart back wasn’t supposed to be her “making up” for
the male violence that Maui represents. It was her making up for the greed she
and her people represent. It was touching however because yes it was an
important moment between two women, but you missed the point and you’ve come off
racist and very disrespectful to a culture at that.
Yes, Moana is an empowering movie for women, especially
women of color. But the last thing this is about is Maui being an abuser/rapist
or whatever. That is not the point of Maui’s character.
And to assume so is racist. You are a white woman completely
dehumanizing a man of color and ruining his image because of how you see him. And other white girls here
on tumblr have happily picked up that image and interpretation and rolled with
it. Maui’s character is now seen as an abuser or as someone who is violently
because of white girls here on tumblr—which it doesn’t surprise me. (an in a
historical context this is even MORE racist because white women would always
make Maui’s people out to be savages and abusers etc., simply because of the
color of their skin and their culture so yea, this is bad).
You can see the morality of the movie however you want, but
do not be disrespectful toward a character and in this case a culture.
@i-want-cheese Please don’t write this off as another “butthurt comment” or
“male guilt”, because this is really messed up. I see how you’re brushing off
some other people’s comments and I honestly hope that you don’t see mine the
same way because this is an issue I think you need to face/realize. You are
being racist and brushing it off isn’t going to change that.
the
@visibilityofcolor THANK YOU FOR THIS. As a Polynesian woman, reading that post and other replies painting Maui and even Tui as aggressive and violent men had me feeling some type of way, especially since White people have always regarded Polynesian men in such a manner.
I’ve thought about replying because I’m tired of seeing these kind of “Moana is a feminist movie” posts collect hundreds of notes despite the fact that these posts always conveniently fail to mention Pasifika people, but it always stressed me out, so thank you.
As an aside, Maui taking Te Fiti’s heart and Moana restoring it was symbolic of environmental preservation. Because the people who inspired Moana–Pasifika people, not just Polynesian–are always affected first when the environment is threatened. Our way of life is greatly influenced by the ocean and we believe that if you take care of the ocean, she will take care of you.
You’re very welcome.
This is insight for me as well (as I wasn’t aware that the movie also came fro the culture of the Pasifika people), and does give a very important perspective. I do agree with you, this movie is about environmental restoration, not some white fem bullshit.
I tried over and over again to explain to I-want-cheese about how she was being racist, but she responded by blocking me and other poc who called her out (even other polynesian people). People to this day are still trying to explain that she is being racist and culturally insensitive but she ignores us.
I’ve made a few posts about this, hoping that people realize how problematic it is to agree with i-want-cheese. Explaining to her racist white ass that this was problematic was like explaining to a bird. She wouldn’t listen and neither would have of her racist friends.
Sorry you’ve had to see this on your dash every so often, but I’m glad my portion of the post is starting to get around. (reblogged to the wrong blog at first lols)
dang reblogging this as a correction for the very first reblog. this why feminist analysis always needs to be intersectional
My heart just cried
the portrayal of Maui is super important here, the disney crew put a LOT of effort into getting him right because he IS a crucial figure to an entire culture- basically a cross between a central religious figure and superman so handling him poorly would be catastrophically disrespectful
there are basically only two parts of Mauis legend that they flub- they only tell half of the story of when he was abandoned as a baby, and they skip over that stealing the heart of
Te-Fiti
so he could give it to humanity was the legend in which he dies
yes, canonically Maui dies in his quest to give gifts to humanity, its an important element of why Maui is such a profound character, not just ‘man who hurt someone’ strawman
it gets worse when you discover the OTHER legend they fudged, the story of his birth, reinforces this.
Mauis mother had several (Hawaiians only say three, new zealand says five) sons, all named Maui, so when she had ANOTHER son she named him Maui as well, but then cast him into the sea for there was no way she could support another son. the gods did not save Maui, as Moana says, instead they return him to his mother and say she must give him a chance. to which his mother states that for her to take care of him this infant must remove the roof from her house by throwing spears at it.
that is the story of Maui the skillful, abandoned as an infant and then immediately told that he must PROVE his worth, after which all he ever does is prove his worth
his brothers mocked him for being a poor fisherman, he crafts a fishook
from a jawbone and proceeds to raise new islands from the sea
the sky is so low the trees bend, maui raises it for everyone, then fills the new sky with wind
the sun flies so quickly there is not enough time in the day to do the
labors for everyone, maui has to lay traps for each of the suns many
feet, chase after it as it was slowed, and then threaten to chop its
legs off if it would not slow down
he then due to the complaints
of the now longer dark night creates the moon and is upset his creation
will not please humanity for it does not make sufficient light, then
shows it to the sun so that it may learn how to be bright
maui
was credited with having invented as gifts for humanity the outrigger
canoe, stone tools, and seaworthy boats that had no mast or sails. he was credited
with inventing tattoos as a gift to dogs, however
humanity is still not content so maui descends to the land of the dead to ask the secret of creating fire from the grandmother, who kept it hidden in her fingernails. he dropped the fingernail in the water as he tried to return to the land of the living, came back for another, dropped it as well, and went through all ten fingers and toenails untill he had to then interrogate birds the grandmother had shared the secret with to tell him how
a monstrous eel tried to put the moves on his wife, and again maui had to prove his worth to reclaim her by breaking the monster eel’s spine, shoving him into the ground to create the first coconut tree, the single most useful thing for polynesian life, as a gift to humanity yet again
Maui, as a mythological figure, did nothing but give from the day he was born. he gave humans tools, land, fire, boats, light, the wind, everything except life itself and he even tried to give them that- and it killed him, he was bitten in two
a crucial part of Maui as a legend is that he failed, its literally part of the point, also that he was driven to prove himself endlessly to the (during his life) ungrateful.
do not try and drag Maui, its disrespectful on a level i cant express
thank the man, you asshole
Moana succeeded where he failed, for she saw that she did not have to prove herself. the whole movie up untill then she was trying to put on a brave face (there was literally a cut song ‘warrior face’ where maui teaches her Haka), shout her courage, announce to the world at large that she WILL do the thing and fix the world and be the hero, just like Maui
its easy to miss, she stopped trying to prove who she was to anyone, there was nobody she needed to prove herself TO
she just WAS herself, and that brought her peace
Oh man…this is why it’s so important to hear the perspectives of the peoples actually represented. When I was reading through this, the first part seemed to make a lot of sense on the surface, but I could *never* have imagined how racist that perspective was. It makes so much more sense now. Thank you to the folks in this thread who were willing to take the time to share their perspective so that oblivious folks like me could do a little more to chip away at our own internalized racism.
“I never learned my Navajo language and I was never inspired to learn it. As I got older, I realized how valuable our language is to the livelihood of our Navajo Nation. ” -Dr. Shawna L. Begay
Our Navajo or Diné language is in danger of becoming extinct. Help us create and develop the first Navajo-English educational media TV puppet show, “Diné Bí Ná’álkid Time” which means ‘The Navajo Movie Time.’ It will inspire and teach our youth basic language skills using media as a technology tool. Parents, grandparents, children and grandkids can learn to speak Navajo fluently together within their own homes.
Long-time friends and educators, Dr. Shawna L. Begay and Charmaine Jackson have teamed up to create this new TV pilot for an all-ages audience or for anyone who wants to learn the Navajo language.
With your support, it’ll be the first educational Navajo and English puppet show that will teach and preserve the Navajo language and culture through digital media.
After several years of extensive research on the Navajo Nation, Dr. Begay recently completed her PhD from the University of Nevada-Las Vegas with her doctorate thesis, ‘Developing A Navajo Media Guide: A Community Perspective.’ As project director, she quickly realized she was a pioneer on the topic.
“When I decided what topic to study I realized there existed very little research in Indigenous educational media, especially with our Navajo people,” stated Dr. Begay. “As Navajo people, we have our own learning objectives and Navajo way of knowing is completely different for Euro-Western schooling. I decided that I had to research and develop our own curriculum guide that is meant to teach Navajo through media.”
Dr. Begay and Jackson, co-writers of the show, developed the first 3-puppet characters and plan for many more. The pilot features Nanabah-a young Navajo girl, Gáh (Rabbit) and Dlǫ̀ǫ̀ (Prairie Dog) who will go on endless adventures learning about language, gardening, the environment and the importance of family values. Nanabah is fluent in Navajo and likes to teach children about life on the reservation with her animal friends and special guests. Children who want to learn Navajo will also be an important part of the show by interacting with Nanabah, her friends and storyline.
Dr. Begay’s research concluded there exists very little research in the area of Indigenous educational media. Currently media is a very powerful tool that can be used to teach. She is cognizant of the digital age we live in and the opportunities to utilize media to revitalize the Navajo language.
“Star Wars and Finding Nemo,” dubbed in Navajo, was a great place to start and it has garnered national exposure of our language. However, we need a show based on our own Navajo learning principals our ancestors set out for us to learn and live by. I don’t think a non-Navajo, non-Native or non-Indigenous person can do that for us, nor should they. We, as Navajo, need to produce this show ourselves, if we are to be truly sovereign,” added Dr. Begay.
Both educators, Dr. Begay and Jackson, of Naalkid Productions have been talking about this educational language project for about the past four years and still have a long way to go to finance their dream.
“With the support of Navajo TV Anchor Colton Shone, our team of Navajo artists, filmmakers, family and friends, this video pilot is a huge step forward,” said Jackson. “Our journey has just begun and the big next step is finding financial support to create a whole new puppet TV series.”
We aim to raise $50,000 with this project which will allow us to continue with pre-production and production aspects of making this digital media project become a reality. We need your help to save our language by teaching Navajo to our future generations.
Pre-Production: -Script writing for the pilot show -Puppet Development/Creation -Casting for puppeteers and other talent that will be on screen -Hiring of all key cast and crew
Production: -Locations and permits -Rental of Studio space -Equipment: cameras, sound, lights, etc. -Cast and Crew budget
Despite all the notes on this post, they’re still at $13,155 of their $50,000 goal.
Please keeping sharing and donate if you can!
what it sits at as of 07/27/18
GoFundMe as of 09/01/2018 Currently: $35,912 of $50,000 goal
Ok so I’ve been playing for 18 years and i’m a string teacher. Can i just say how IMPORTANT it is for young kids to see a BLACK, MALE-PRESENTING PERSON playing, nae, SHREDDING on a violin? I’ve know maybe 5 black people who played stringed instruments throughout my schooling and teaching (predumably because i’m an upper middle class white woman). In districts where the population is predominantly black, funding is always low, so the instruments are crappy. Kids quit, or the program is dismantled. I’ve seen very few professional string players who are black.
Obviously there are black string players. We just don’t see them because they “don’t look like” string players.
This person is the real deal. They were clearly trained, and seems to have some fiddle training as well. How cool is that?
Hot take but anger can be a very good emotion for women to allow themselves to experience. Anger isn’t inherently toxic. No emotion is inherently toxic but women are socialized to believe anything less than absolute accommodation and Pleasantness is Bad
There's a Mirror on the Wall 